From innocuous roots in late 1940s postmodernism has spread like a steady but relentless virus. For its practitioners it has become a kind of consensus of absolution from having to measure personal (or peer group) standards against the achievements of genuine pioneers past and present. It has changed the essential currents of self-expression from outbound character-individualism to inbound caricature-identity. Postmodern culture has calcified an implicit lack of higher ambition (and talent) into a consensus assault on individual merit, patiently but systematically building a citation-legitimised exclusion of all forms of creative non-conformity; a paradise for patient, banal credentialism. The postmodern networks of weaponised influence are both cynical and smart, directing the most merciless attacks on the most dangerous of targets: original genius in art, disruptive uncompromising creativity in science. If these trends continue unchecked – and there’s no sign of organized resistance – the culture war will soon reach a catastrophic and possibly irreparable coda.